MELHORES MÚSICAS / MAIS TOCADAS
chicago (musical) - a little bit of sunshine
[MARY SUNSHINE]
When I was a tiny tot
Of maybe two or three
I can still remember what
My mother said to me...
Place rose colored glasses on your nose
And you will see the robins
Not the crows
for in this tense and tangled web
Our weary lives may weave
you're so much better off
if you believe...
That there's a little bit of good
In everyone
In everyone you'll ever know
Yes, there's a little bit of good
In everyone
Though many times, it doesn't show
It only takes the taking time
With one another
For under every mean veneer
Is someone warm and dear
Keep looking...
for that bit of good in everyone
The ones we call bad
Are never all bad
So try to find that little bit of good!
Just a little, little bit of good
Is someone warm and dear
Keep looking...
For that little good in everyone
Although you meet rats
They're not complete rats
So try to find that little bit of good!
chicago (musical) - all i care about
[GIRLS]
We want Billy
Give us Billy
B. I. double L. Y.
We're all his
He's our kind of a guy
And ooh what luck
Cause here he is...
[BILLY]
Is everybody here?
Is everybody ready?
Hit it!
I don't care about expensive things
Cashmere coats, or diamond rings
Don't mean a thing
All I care about is love
[GIRLS]
That's what he's here for
[BILLY]
That's what I'm here for
I don't care for wearin' silk cravats
Ruby studs, satin spats
Don't mean a thing
All I care about is love
[GIRLS]
All he cares about is love
[BILLY]
Give me two
Eyes of blue
Softly saying, "I need you"
Let me see her standin' there
And honest, mister, I'm a millionaire
I don't care for any fine attire
Vanderbilt might admire
No, no, not me
All I care about is love...
[GIRLS]
All he cares about is love
[BILLY]
Maybe you think I'm talking about physical love.
Well, I'm not. Not just physical love. There's
other kinds of love. Like love of justice. Love
of legal procedure. Love of lending a hand to
someone who really needs you. Love of your fellow
man. That's the kind of love I'm talkin' about.
And physical love ain't so bad either.
It may be sound odd
But all I care about is love
[GIRLS]
That's what he's here for
[BILLY]
That's what I'm here for
Honest to God
All I care about is love
[GIRLS]
All he cares about is love
[BILLY]
Show me long Raven hair
Flowin' down, about to there
Let me see
Her runnin' free
Keep your money, that's enough for me
I don't care for drivin' Packard cars
Or smoking Long Buck Cigars
No, no, not me
All I care about is
Doin' the guy in
Who's pickin, on you
Twistin' the wrist
That's turnin' the screw
All I care about is love!
[GIRLS]
All he cares about is love!
by JoHNnY_RuFInO
chicago (musical) - cell block tango
[Liz]
Pop!
[Annie]
Six!
[June]
Squish!
[Hunyak]
Uh Uh
[Velma]
Cicero
[Mona]
Lipschitz!
And now the 6 merry murderers of the Cook County
jail in their rendition of "The Cell Block Tango"
[Liz]
Pop!
[Annie]
Six!
[June]
Squish!
[Hunyak]
Uh Uh
[Velma]
Cicero
[Mona]
Lipschitz!
[Liz]
Pop!
[Annie]
Six!
[June]
Squish!
[Hunyak]
Uh Uh
[Velma]
Cicero
[Mona]
Lipschitz!
[Liz]
Pop!
[Annie]
Six!
[June]
Squish!
[Hunyak]
Uh Uh
[Velma]
Cicero
[Mona]
Lipschitz!
[Liz]
Pop!
[Annie]
Six!
[June]
Squish!
[Hunyak]
Uh Uh
[Velma]
Cicero
[Mona]
Lipschitz!
[All]
He had it coming
He had it coming
He only had himself to blame
If you'd have been there
If you'd have seen it
[Velma]
I betcha you would have done the same!
[Liz]
Pop!
[Annie]
Six!
[June]
Squish!
[Hunyak]
Uh Uh
[Velma]
Cicero
[Mona]
Lipschitz!
[Liz (spoken)]
You know how people have these
Little habits that get you down.
Like Bernie.
Bernie like to chew gum.
No, not chew. Pop.
So I came home this one day
And I am really irritated
And I'm looking for a bit of sympathy
And there's Bernie
Layin' on the couch, drinkin' a beer and chewin'.
No, not chewin'. Poppin'.
So, I said to him
I said "You pop that gum one more time..."
End he did
So I took the shotgun off the wall
And I fired two warning shots
Into his head
[Girls]
He had it coming
He had it coming
He only had himself to blame
If you'd have been there
If you'd have heard it
I betcha you would have done the same!
[Annie (spoken)]
I met Ezekiel Young from
Salt Lake city about two years ago
and he told me he was single
and we hit it off right away
So, we started living together
He'd go to work, he'd come home, I'd
fix him a drink, We'd have dinner
And then I found out
"Single" he told me?
Single, my ass. Not only was he married
oh, no, he had six wives
One of those Mormons, you know
So that night, when he came home from work
I fixed him his drink as usual
You know, some guys just can't hold their arsenic
[Liz, Annie, June, Mona]
Hah! He had it coming
He had it coming
He took a flower
In its prime
And then he used it
And he abused it
It was a murder
But not a crime!
[Velma And Hunyak]
Pop, six, squish, uh-uh
Cicero, Lipschitz
[June (Spoken) ]
Now, I'm standing in the kitchen
carvin' up the chicken for dinner
minding my own business
and in storms my husband Wilbur
in a jealous rage
"You been screwin' the milkman, "
he says. He was crazy
and he kept screamin'
"you been screwin the milkman. "
And then he ran into my knife
He ran into my knife ten times!
[All]
If you'd have been there
If you'd have seen it
I betcha you would have done the same!
[Hunyak (Spoken) ]
Mit keresek, én itt? Azt mondják
hogy a híres lakem lefogta a férjemet én meg
lecsaptam a fejét. De nem igaz, én ártatlan
vagyok. Nem tudom miért mondja
Uncle Sam, hogy én tettem. Probáltam
a rendõrségen megmagyarázni de nem értették meg
[Roxie (Spoken) ]
Yeah, but did you do it?
[Hunyak]
Uh Uh, not guilty!
[Velma]
My sister, Veronica and
I had this double act
and my husband, Charlie
traveled around with us
Now, for the last number in
our act, we did 20 acrobatic tricks
one two three four, five... splits, spread eagles
back flips, flip flops
one right after the other
Well, this one night we were in the hotel Cicero
the three of us
boozin' and
havin' a few laughs and
we ran out of ice
So I went out to get some
I come back, open the door
and there's Veronica and
Charlie doing Number Seventeen- the spread eagle
Well, I was in such a state of shock
I completely blacked out. I can't remember a thing
It wasn't until later
when I was washing the blood off my hands
I even knew they were dead
They had it coming
They had it coming
They had it coming all along
I didn't do it
But if I'd done it
How could you tell me that I was wrong?
[Velma]
They had it coming
[Girls]
They had it coming
[Velma]
They had it coming
[Girls]
They had it coming
[Velma]
They had it coming
[Girls]
They took a flower
[Velma]
All along
[Girls]
In its prime
[Velma]
I didn't do it
[Girls]
And then they used it
[Velma]
But if I'd done it
[Girls]
And they abused it
[Velma]
How could you tell me
[Girls]
It was a murder
[Velma]
That I was wrong?
[Girls]
But not a crime!
[Mona]
I loved Al Lipschitz
more than I can possibly say
He was a real artistic guy
sensitive... a painter
But
He was always trying
to find himself
He'd go out every night
looking for himself
and on the way
he found Ruth
Gladys
Rosemary and Irving
I guess you can say we broke up
because of artistic differences
He saw himself as alive
and I saw him dead
[All]
The dirty bum, bum, bum, bum, bum
The dirty bum, bum, bum, bum, bum
[Liz, Annie, Mona]
They had it comin'
[Velma, June, Hunyak]
They had it comin'
[Liz, Annie, Mona]
They had it comin'
[Velma, June, Hunyak]
They had it comin'
[Liz, Annie, Mona]
They had it comin'
[Velma, June, Hunyak]
They had it comin'
[Liz, Annie, Mona]
All along
[Velma, June, Hunyak]
All along
'Cause if they used us
'Cause if they used us And they abused us
And they abused us
[Liz, Annie, Mona]
How could you tell us
[Velma, June, Hunyak]
How could you tell us That we were wrong?
That we were wrong?
He had it coming
He had it coming
He only had
Himself
To blame
If you'd have been there
If you'd have seen it
I betcha
You would
Have done
The same!
[Liz (Spoken) ]
You pop that gum one more time!
[Annie (spoken) ]
Single my ass
[June (Spoken) ]
Ten times!
[Hunyak (Spoken) ]
Miert csukott Uncle Same bortonbe
[Velma (Spoken) ]
Number seventeen-the spread eagle
[Mona (Spoken) ]
Artistic differences
[Liz]
Pop!
[Annie]
Six!
[June]
Squish!
[Hunyak]
Uh Uh (squeezing necklace)
[Velma]
Cicero (smoke puffs)
[Mona]
Lipschitz!
chicago (musical) - class
(Velma)
Whatever happened to fair dealing
And pure ethics
And nice manners?
Why is it everyone now is a pain in the Arse?
Whatever happened to class?
(Mama)
Class.
Whatever happened to Please may I
And Yes thank you
And How charming?
Now every son of a bitch
Is a snake in the grass
Whatever happened to class?
(Velma)
Class.
(Both)
Oh, there ain't no gentelmen to open up the doors,
There ain't no ladies now there's only pigs and whores
And even kids'll knock you down so's they can pass
Nobody's got no class!!!
(Velma)
Whatever happened to old values
(Mama)
And fine morals
(Velma)
And good breeding?
(Mama)
Now no-one even says oops
When they're passing their gas
(Both)
Whatever happened to class?
Class.
Oh, There ain't no gentelmen that's fit for any ews,
And any girl will touch your privates for a douse
And even kids'll kick your shins and give ya sas
Nobody's got no class!
(Velma)
All you read about today is rape and theft
(Mama)
Jesus Christ, ain't there no decency left?
(Both)
Nobody's got no class!
(Mama)
Every guy is a snot
(Velma)
Every girl is a twat
(Mama)
Holy shit
(Velma)
Holy shit
(Mama)
What a shame
(Velma)
What a shame
(Both)
What became of class?
chicago (musical) - funny honey
[ROXIE]
Sometime's I'm right
Sometime's I'm wrong
But he doesn't care
He'll String along
He loves me so
That funny honey of mine
Sometime's I'm down
Sometime's I'm up
But he follows 'round
Like some droopy-eyed pup
He love me so
That sunny honey of mine
He ain't no sheik
That's no great physique
Lord knows, he ain't got the smarts
Oh, but look at that soul
I tell you, the whole
Is a whole lot greater than
The sum of his parts
And if you knew him like me
I know you'd agree
What if the world
Slandered my name?
Why, he'd be right there
Taking the blame
He loves me so
And it all suits me fine
That funny, sunny, honey
Hubby of mine
[AMOS (Spoken)]
A man's got a right to protect his home
and his loved ones, right?
[FOGARTY (Spoken)]
Of course, he has.
[AMOS (Spoken)]
Well, I came in from the garage, Officer, and I
see him coming through the window. With my
wife Roxanne there, sleepin'...like an angel...
[ROXIE]
He loves me so
That funny honey of mine
[AMOS (Spoken)]
...an angel!
[AMOS (Spoken)]
I mean supposin', just supposin', he had violated
her or somethin'...you know what I mean...
viloated?
[FOGARTY (Spoken)]
I know what you mean...
[AMOS (Spoken)]
...or somethin'. Think how terrible that would have been.
It's a good thing I came home from work on time, I'm tellin' ya that! I say I'm tellin' ya that!
[ROXIE]
He loves me so
That funny honey of mine
[FOGARTY (Spoken)]
Name of deceased... Fred Casely.
[AMOS (Spoken)]
Fred Casely. How could he be a burglar?
My wife knows him! He sold us our furniture!
[ROXIE]
Lord knows he ain't got the smarts
[AMOS (Spoken)]
She lied to me. She told me he was a burglar!
[FOGARTY (Spoken)]
You mean he was dead when you got home?
[AMOS (Spoken)]
She had him covered with a sheet and she's givin'
me that cock and bull story abou this burglar, and
I ought to say that I did it 'cause I was sure to get off.
Burglar, huh!
[ROXIE]
Now, he shot off his trap
I can't stand that sap
Look at him go
Rattin' on me
With just one more brain
What a half-wit he'd be
If they string me up
I'll know who
Brought the twine
[AMOS (Spoken)]
And I believed her!
That cheap little tramp. So, she
Was two-timing me, huh?
Well, then, she can just
Swing for all I care.
Boy, I'm down at the garage,
Working my butt off fourteen
Hours a day and she's up mucnhin'
on god-damn bon bons and jazzing.
This time she pushed me too far.
That little chiseler.
Boy, what I sap I was!
That scummy, crummy
Dummy hubby of mine!
by: JoHNnY_RuFInO
chicago (musical) - i can t do it alone
I Can't Do It Alone
by Chicago (Movie)
Album :
Announcer (spoken)
Ladies and gentlemen, Miss Velma Kelly in an act of desperation.
Velma (sings)
My sister and I had an act that couldn't flop.
My sister and I were headed straight for the top.
My sister and I earned a though a week, at least, oh yeah!
But my sister is now, unfortunately, deceased.
I know it's sad of course, but a fact, is still a fact!
And now all that remains, is the remains, of a perfect-double-act!
Velma (spoken)
Watch this!
We have to imagine it with two people-it's swell with two people!
Velma (sings)
First I'd...
Then she'd...
Then we'd...
But I can't do it alone!
Then she'd...
Then I'd...
Then we'd...
But I can't do it alone!
She'd say, "What's your sister like?"
I'd say, "Men!"
She'd say, "You're the cat's meow!"
And we'd wow the crowd again!
When she'd go...
I'd go...
We'd go...
Then those ding-dong daddies started a roar, whistled, stomped, banged on the floor, yelling, screaming, begging for
moooooore...!
And we'd say,"Ok, fellas, keep your socks up-'cause you ain't seen NOTHING yet!"
But I simply cannot do it...aaaloooooone...!
Velma (spoken)
So what do you think, huh? Come on... you can say.
Roxie (spits her tongue at her)
Prrrt...!
Velma (spoken)
I know, you're right, the first part's shit. But the second part? The second part is REALLY nifty!
Ok!
Velma (sings)
She'd go...
I'd go...
We'd go...
And then those two-bit Johnnys did it up brown, to cheer the best attraction in town, they nearly tore the balcony
doooooown...!
And we'd say, "Ok, boys, we're going home! But before we go, there's a few more parting shots! And this, this, we did in
PERFECT UNISON!"
Now ya see me going through it!
You may think there's nothing to it!
But I simply cannot do it...aloooooone...!
chicago (musical) - i move on
[VELMA]
While truckin' down the road of life, although all hope seems gone,
I just move on.
[ROXIE]
When I can't find a single star to hang my wish upon, I just move on,
I move on.
[VELMA]
I run so fast, a shotgun blast can hurt me not one bit.
[ROXIE]
I'm on my toes cause heaven knows a moving target's hard to hit.
[VELMA & ROXIE]
So as we play an ice ballet, we're not the dying swan, we just move on,
we move on.
[ROXIE]
Just when it seems we're out of dreams, and things have got us down.
[VELMA]
We don't despair, we don't go there, we hang our bonnets out of town.
[VELMA & ROXIE]
So there's no doubt we're well cut out to run life's marathon, we just move on,
we just move on.
So fleet of foot, we can't stay put, we just move on.
Yes, we move on!
chicago (musical) - love is a crime
Oooh Yeah
Chicago
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me to life
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me
Sentence me to life
Some might say I'm guilty of love in the first degree
If the jury wants to lock me up and throw away the key
There's no greater punishment than what I face inside
Won't tamper with the evidence cause there's nothing to hide
He lives inside my heart
I'm in the middle too
You never had a clue
Unless you felt it too
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me to life
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me
Sentence me to life
Swear tell the truth, just let me plead my case
The thief who stole my heart from me I couldn't let escape
He's my only alibi, but I won't drop a dime
So how can I give up to you, my partner in crime
He lives inside my heart
I'm in the middle too
You never had a clue
Unless you felt it too
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me to life
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me
Sentence me to life
You can take away my freedom
But you can't take my love from me
I won't die a lonely prisoner
'Cause my heart will set me free
Oooh ooh yeah
Whooh!
Chicago
I said
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me to life
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me
Sentence me to life
Ah come on
I said
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me to life
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me
Sentence me to life
I said love is a crime
chicago (musical) - mister cellophane
Amos.
If someone stood up in a crowd
And raised his voice up way out loud
And waved his arm
And shook his leg
You'd notice him
If someone in a movie show
Yelled "fired in the second row,
This whole place is a powder keg!"
You'd notice him
And even without clucking like a hen
Everyone gets noticed, now and then,
Unless, of course, that personage should
be
Invisible, inconsequential me!
Cellophane
Mister cellophane
Should've been my name
Mister cellophane
'cause you can look right through me
Walk right by me
And never know I'm there!
I tell ya
Cellophane
Mister cellophane
Should've been my name
Mister cellophane
'cause you can look right through me
walk right by me
And never know I'm there. . .
Suppose you was a little cat
Residin' in a person's flat
Who fed you fish and scratched your
ears?
You'd notice him
Suppose you was a woman wed
And sleepin' in a double bed beside a man for seven years
You'd notice him
A human being's made of more than air
With all that bulk, you're bound to see
him there
Unless that human bein' next to you
Is unimpressive, undistingueshed
You know who. . .
Should've been my name
Mister cellophane
'cause you can look right through me
Walk right by me
And never know I'm there
I tell ya
Cellophane
Mister cellophane
Should've been my name
Mister cellophane
'cause you can look right through me
Walk right by me
And never know I'm there
Never even know I'm there
chicago (musical) - nowadays
ROXIE(Spoken)
...Gone, it's all gone.
(Singing)
It's good, isn't it?
Grand, isn't it?
Great, isn't it?
Swell, isn't it?
Fun, isn't it?
Nowadays
There's men, everywhere
Jazz, everywhere
Booze, everywhere
Life. everywhere
Joy, everywhere
Nowadyas
You can like the life you're livin'
You can live the life you like
You can even marry Harry
But mess around wiht Ike
And that's
Good, isn't it?
Grand, isn't it?
Great, isn't it?
Swell, isn't it?
Fun, isn't it...
ANNOUNCER(Spoken)
Ladies and gentlemen, the Vickers Theatre,
Chicago's finest finest home of famile entertainment,
is proud to announce a first. The first time, anywhere,
there has been an act of this nature. Not only one
little lady but two! You've read about them in the papers
and now here they are- a double header! Chicago's own
killer dillers- those two scintillating sinners-
Roxie Hart and Velma Kelly.
ROXIE AND VELMA
You can like the life you're livin'
You can live the life you like
You can even marry Harry
But mess around wiht Ike
And that's
Good, isn't it?
Grand, isn't it?
Great, isn't it?
Swell, isn't it?
Fun, isn't it?
But nothing stays
In fifty years or so
It's gonna change, you know
But, oh, it's heaven
Nowadays
ANNOUNCER
Okay, you babes of jazz. Let's pick up the pace.
Let's shake the blues away. Let's make the parties longer.
Let's make the skirts shorter and shorter. Let's make
the music hotter. Let's go to hell in a fast car and
KEEP IT HOT!
chicago (musical) - overture/and all that jazz
[VELMA]
Come on babe
Why don't we paint the town?
And all that Jazz
I'm gonna rouge my knees
And roll my stockings down
And all that jazz
Start the car
I know a whoopee spot
Where the gin is cold
But the piano's hot
It's just a noisy hall
Where there's a nightly brawl
And all
That
Jazz
Slick your hair
And wear your buckle shoes
And all that Jazz
I hear that Father Dip
Is gonna blow the blues
And all that Jazz
Hold on, hon
We're gonna bunny hug
I bought some aspirin
Down at United Drug
I case you shake apart
And want a brand new start
To do that-
[VELMA AND COMPANY]
Jazz
[COMPANY]
Skidoo!
[VELMA]
And all that Jazz
[COMPANY]
Hotcha!
Whoopee!
[VELMA]
And all that Jazz
[COMPANY]
Ha! Ha! Ha!
It's just a noisy hall
Where there's a nightly brawl
[ALL]
And all that jazz
[CASELY (spoken)]
Listen, your husband ain't home, is he?
[VELMA (Spoken)]
No, her husband is not at home.
Find a flask
We're playing fast and loose
[ALL]
And all that jazz
[VELMA]
Right up here
Is where I store the juice
[ALL]
And all that jazz
[VELMA]
Come on, babe
We're gonna brush the sky
I bet you luck Lindy
Never flew so high
'Cause in the stratosphere
How could he lend an ear
to all that Jazz?
[COMPANY]
Oh, you're gonna see your sheba shimmy shake
[VELMA]
And all that jazz
[COMPANY]
Oh, she's gonna shimmy 'till her garters break
[VELMA]
And all that jazz
[COMPANY]
Show her where to park her girdle
Oh, her mother's blood'd curdle
If she'd hear her baby's queer
For all that jazz
[VELMA]
And All that jazz
Come on, babe
Why Don't we paint
The town?
And all that jazz
[COMPANY]
Oh, you're gonna see
Your
Sheba
Shimmy shake
And all that jazz
[VELMA]
I'm gonna
Rouge my knees
And roll my
Stockings down
And all that jazz
[COMPANY]
Oh
She's gonna shimmy
'Till her garters
Break
And all that jazz
[VELMA]
Start the car
I know a whoopee spot
Where the gin is cold
But the piano's hot
It's just a noisy hall
Where there's a nightly brawl
And all that jazz
[COMPANY]
Show her where to
Park her girdle
Oh, her mother's blood'd
Curdle
If she'd hear
Her baby's queer
For all that jazz
[ROXIE (Spoken)]
So that's it, huh Fred?
[CASELY (Spoken)]
yeah, I'm afraid so, Roxie.
[ROXIE (Spoken)]
Oh, Fred...
[GIRLS (Spoken)]
Oh, Fred...
[CASELY (Spoken)]
Yeah?
[ROXIE (Spoken)]
Nobody walks out on me.
[CASELY (Spoken)]
Sweetheart-
[ROXIE (Spoken)]
Oh, don't "sweetheart" me,
you son-of-a-bitch!
[COMPANY]
Hotcha!
Whoopee!
Jazz!
[ROXIE (Spoken)]
Oh, I gotta pee!
[VELMA]
No, I'm no one's wife
But, Oh, I love my life
And all that Jazz!
[COMPANY]
That Jazz!
chicago (musical) - razzle dazzle
Give 'em the old razzle dazzle
Razzle Dazzle 'em
Give 'em an act with lots of flash in it
And the reaction will be passionate
Give 'em the old hocus pocus
Bead and feather 'em
How can they see with sequins in their eyes?
What if your hinges all are rusting?
What if, in fact, you're just disgusting?
Razzle dazzle 'em
And they;ll never catch wise!
Give 'em the old Razzle Dazzle
Razzle dazzle 'em
Give 'em a show that's so splendiferous
Row after row will crow vociferous
Give 'em the old flim flam flummox
Fool and fracture 'em
BILLY
How can they hear the truth above the roar?
Roar, roar, roar!
Throw 'em a fake and a finagle
They'll never know you're just a bagel,
Razzle dazzle 'em
And they'll beg you for more!
TODOS JUNTOS
Give 'em the old razzle dazzle
Razzle Dazzle 'em
Back since the days of old Methuselah
Everyone loves the big bambooz-a-ler
Give 'em the old three ring circus
Stun and stagger 'em
When you're in trouble, go into your dance
Though you are stiffer than a girder
They let you get away with murder
Razzle dazzle 'em
And you've got a romance
Give 'em the old
Razzle Dazzle, Razzle dazzle 'em
Show 'em the first rate sorcerer you are
Long as you keep 'em way off balance
How can they spot you got... no talents?
Razzle dazzle 'em
Razzle dazzle 'em
BILLY
Razzle dazzle 'em
BILLY AND COMPANY
And they'll make you a star!
chicago (musical) - roxie
[ROXIE]
The name on everybody's lips
Is gonna be Roxie
The lady raking in the chips
Is gonna be Roxie
I'm gonna be a celebrity
That means
Somebody everyone knows
They('re) gonna recognize my eyes
My hair my teeth my boobs my nose
From just some dumb mechanics wife
I'm gonna be Roxie
Who says that murder's not an art?
And who in case she doesn't hang
Can say she started with a bang?
Roxie Hart!
Boys...
[BOYS]
They're gonna wait outside in line
To get to see
[ROXIE]
Roxie
Think of those autographs
I'll sign,
'Good luck to ya,'
[BOYS]
Roxie
[ROXIE]
And I'll appear
In a lavalier that goes
All the way down to my waist
[BOYS]
Here a ring,
There a ring,
Everywhere a-ring-a-ling
[ROXIE]
But always in the best of taste!
(spoken)
Mmmm, I'm a star!
And the audience loves me!
And I love them
And they love me for loving them
And I love them for loving me
And we love each other
And that's because none of us
Got enough love in our childhoods
And that's showbiz
Kid
[BOYS]
She's given up her hum drum life
[ROXIE]
I'm gonna be sing it
[BOYS]
Roxie
She made a scandal and a start
[ROXIE]
And Sophie Tucker will shit
I know
To see her name get billed below
Roxie Hart
[BOYS]
Roxie...
Roxie...
Roxie...
Roxie...
Rox-ie...
Roxie...
Roxie...
chicago (musical) - we both reached for the gun
[REPORTERS]
Where'd you come from?
[BILLY (as Roxie)]
Mississippi
[REPORTERS]
And your parents?
[BILLY (as Roxie)]
Very wealthy.
[REPORTERS]
Where are they now?
[BILLY (as Roxie)]
Six feet under.
[BILLY]
But she was granted one more start
[BILLY (as Roxie)]
The convent of The Sacred Heart!
[REPORTERS]
When'd you get here?
[BILLY (as Roxie)]
1920
[REPORTERS]
How old were you?
[BILLY (as Roxie)]
Don't remember
[REPORTERS]
Then what happened?
[BILLY (as Roxie)]
I met Amos
And he stole my heart away
Convinced me to elope one day
[MARY SUNSHINE (spoken)]
Oh you poor dear I cant beleive what you have been through A convent girl! A run-away marriage!
Now tell us roxie
[MARY SUNSHINE]
Who's Fred Casely?
[BILLY (as Roxie)]
My ex-boyfriend.
[REPORTERS]
Why'd you shoot him?
[BILLY (as Roxie)]
I was leavin'.
[REPORTERS]
Was her angry?
[BILLY (as Roxie)]
Like a madman
Still I said, "Fred, move along."
[BILLY]
She knew that she was doin' wrong.
[REPORTERS]
Then describe it.
[BILLY (as Roxie)]
He came toward me.
[REPORTERS]
With a pistol?
[BILLY (as Roxie)]
>From my bureau.
[REPORTERS]
Did you fight him?
[BILLY (as Roxie)]
Like a tiger.
[BILLY]
He had strength and she had none.
[BILLY (as Roxie)]
And yet we both reached for the gun
Oh yes, oh yes, oh yes we both
Oh yes we both
Oh yes, we both reached for
The gun, the gun, the gun, the gun
Oh yes, we both reached for the gun
For the gun.
[REPORTERS]
Oh yes, oh yes, oh yes they both
Oh yes, they both
Oh yes, they both reached for
The gun, the gun, the gun, the gun,
Oh yes, they both reached for the gun
for the gun.
[BILLY]
understandable. understandable
Yes, it's perfectly understandable
Comprehensible. Comprehensible
Not a bit reprehensible
It's so defensible!
[REPORTERS]
How're you feeling?
[BILLY (as Roxie)]
Very frightened
[REPORTERS]
Are you sorry?
[ROXIE]
Are you kidding?
[REPORTERS]
What's you're statement?
[BILLY (as Roxie)]
All I'd say is
Though my choo-choo jumped the track
I'd give my life to bring him back
[REPORTERS]
And?
[BILLY (as Roxie)]
Stay away from
[REPORTERS]
What?
[BILLY (as Roxie)]
Jazz and liquor
[REPORTERS]
And?
[BILLY (as Roxie)]
And the men who
[REPORTERS]
What?
[BILLY (as Roxie)]
Play for fun
[REPORTERS]
And what?
[BILLY (as Roxie)]
That's the thougt that
[REPORTERS]
Yeah
[BILLY (as Roxie)]
Came upon me
[REPORTERS]
When?
[BILLY (as Roxie)]
When we both reached for the gun!
[MARY SUNSHINE]
Understandable, understandable
[BILLY AND MARY SUNSHINE]
Yes, it's perfectly understandable
Comprehensible, comprehensible
Not a bit reprehensible
It's so defensible!
[REPORTERS]
Oh yes, oh yes, oh yes, they both
Oh yes, they both
Oh yes, they both reached for
[BILLY (spoken)]
Let me
Hear it!
[REPORTERS]
The gun, the gun, the gun,
The gun
Oh yes, they both reached
For the gun
[BILLY (spoken)]
A little louder!
[REPORTERS]
For the Gun.
Oh yes, oh yes, oh yes, they both
Oh yes, they both
Oh yes, they both reached
For the gun, the gun,
[BILLY (spoken)]
Now you got it!
[REPORTERS]
The gun,the gun
Oh yes. They both reached
For the gun
For the gun.
[BILLY AND REPORTERS]
Oh yes, oh yes, oh yes, they both
Oh yes, they both
Oh yes, they both reached for
The gun, the gun, the gun,the gun
Oh yes, they both reached for the gun
For the gun.
Oh yes, oh yes, oh yes, they both
Oh yes, they both
Oh yes, reached for
The gun, the gun, the gun,the gun
The gun, the gun, the gun,the gun
The gun, the gun, the gun,the gun
[BILLY]
Both reached for the...gun
[REPORTERS]
The gun, the gun, the gun,the gun
The gun, the gun, the gun,the gun
The gun, the gun, the gun,the gun
The gun, the gun, Both reached for the gun.
chicago (musical) - when you re good to mama
When You're Good To Mama
by Chicago (Movie)
Album :
[MATRON]
Ask any of the chickies in my pen
They'll tell you I'm the biggest mother hen
I love 'em all and all of them love me
Because the system works
The system called reciprocity...
Got a little motto
Always sees me through
When you're good to Mama
Mama's good to you.
There's a lot of favors
I'm prepared to do
You do one for Mama
She'll do one for you.
They say that life is tit for tat
And that's the way I live
So, I deserve a lot of tat
For what I've got to give
Don't you know that this hand
Washes that one too
When you're good to Mama
Mama's good to you!
If you want my gravy
Pepper my ragout
Spice it up for Mama
She'll get hot for you
When they pass that basket
Folk contribut to
You put in for Mama
She'll put out for you
The folks atop the ladder
Are the ones the world adores
So boost me up my ladder, Kid
And I'll boost you up yours
Let's all stroke together
Like the Princeton crew
When you're strokin' Mama
Mama's strokin' you
So what's the one conclusion
I can bring this number to?
When you're good to Mama
Mama's good to you!
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